Streb: Forces is a show with a little bit of everything. Dancing,
stunts, and acrobatics are just some of the performances included in
this massive show. Elizabeth Streb's choreography is called "Pop
Action" as it combines circus arts with dance and stunt work. This
provides the audience with an amazing show that everyone should see at
least once.
Elizabeth Streb is a mad scientist.
How else would you describe a woman who devises diabolically
dangerous-looking scenarios for her group of "action heroes" (a.k.a.
"action engineers"), who dodge swinging cinder blocks, fall flat to the
ground from multiple-story heights and run for their lives inside a
monster-sized hamster wheel — all in the name of entertainment?
In truth, Streb is an award-winning choreographer who has developed a
unique movement form she calls "Pop Action." It combines science and
human daring with elements of dance, the circus arts and Hollywood
stuntwork.
After a long absence, Streb and her self-named New York-based company
return to Pittsburgh and the Byham Theater Sept. 28 and 29. Their
latest "Action" spectacular, STREB: Forces, is the season-opener for the Pittsburgh Dance Council.
The company is fresh off a stint at London's Cultural Olympiad, part
of the festivities surrounding the London Olympics. There, STREB
performed action events at seven London landmarks, including the
Millennium Bridge and Trafalgar Square. Now, STREB brings to Pittsburgh
perhaps its most theatrical multimedia production to date.
For the all-ages STREB: Forces, the company is
trucking in 15 tons of equipment, including machines designed to create
artificial gravity and the illusion of flight for the performers.
Jam-packed with thrilling works and action events with names like
"Crush," "Fall," "Invisible Forces" and "Roboto," STREB: Forces marries
the scientific principles of motion with the adrenaline rush of a super
coaster ride.
Some elements of the show may be similar to past productions. For
instance, there's "Spatial Rifts," a revamped version of Streb's popular
vertical-wall piece "Run Up Walls," in which performers crash into,
climb onto and throw themselves against a transparent wall. This time
around, Streb says, the performers will be attached to one another in
pairs to create a counterweight system: When one goes down, the other
goes up. And much of show is new, including an action event that
simulates moonwalking using a 30-feet-by-30-feet frictionless floor.
"These things burst into
reality from playing around with new pieces of equipment at our Action
Lab," says Streb by the phone from New York City, where the Lab is
located. "They are the mad trajectories of what brings joy and action to
people's lives."
For more information see The City Paper.
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